Adobe audition 3.0 user manual pdf free
User Manual: adobe Audition – – User Guide Free User Guide for Adobe Audition Software, Manual. Open the PDF directly: View PDF PDF. View and Download Adobe AUDITION 3 user manual online. AUDITION 3 software pdf manual download. Also for:
ADOBE Audition – User Manual
Adobe Flash formerly Macromedia Flash and FutureSplash is a multimedia software platform used for production of animations , rich web applications , desktop applications , mobile apps , mobile games , and embedded web browser video players. Flash displays text, vector graphics , and raster graphics to provide animations, video games, and applications.
It allows streaming of audio and video , and can capture mouse, keyboard, microphone, and camera input. End users view Flash content via Flash Player for web browsers , Adobe AIR for desktop or mobile apps , or third-party players such as Scaleform for video games. The ActionScript programming language allows the development of interactive animations, video games, web applications, desktop applications, and mobile applications. Flash was initially used to create fully-interactive websites, but this approach was phased out with the introduction of HTML5.
Instead, Flash found a niche as the dominant platform for online multimedia content, particularly for browser games. Following an open letter written by Steve Jobs in stating that he would not approve the use of Flash on their iOS devices due to numerous security flaws, use of Flash declined as Adobe transitioned to the Adobe Air platform.
The Flash Player was deprecated in and officially discontinued at the end of for all users outside China, as well as non-enterprise users,  with many web browsers and operating systems scheduled to remove the Flash Player software around the same time.
In the early s, Flash was widely installed on desktop computers , and was often used to display interactive web pages and online games , and to play video and audio content. Between and , numerous businesses used Flash-based websites to launch new products, or to create interactive company portals. After Flash 5 introduced ActionScript in , developers combined the visual and programming capabilities of Flash to produce interactive experiences and applications for the Web.
In , Macromedia Flex was released, and specifically targeted the application development market. Between and , the Speedtest. Developers could create Flash web applications and rich web applications in ActionScript 3. Flash video games were popular on the Internet, with portals like Newgrounds , Kongregate , and Armor Games dedicated to hosting Flash-based games. Many Flash games were developed by individuals or groups of friends due to the simplicity of the software.
Scaleform is supported by more than 10 major video game engines including Unreal Engine and UDK , CryEngine , and PhyreEngine , and has been used to provide 3D interfaces for more than major video game titles since its launch in As the Internet became more popular, FutureWave realized the potential for a vector-based web animation tool that might challenge Macromedia Shockwave technology.
FutureWave approached Adobe Systems with an offer to sell them FutureSplash in , but Adobe turned down the offer at that time.
Flash was a two-part system, a graphics and animation editor known as Macromedia Flash, and a player known as Macromedia Flash Player. FutureSplash Animator was an animation tool originally developed for pen-based computing devices. Due to the small size of the FutureSplash Viewer , it was particularly suited for download on the Web. Macromedia distributed Flash Player as a free browser plugin in order to quickly gain market share.
Macromedia upgraded the Flash system between and adding MovieClips, Actions the precursor to ActionScript , Alpha transparency, and other features.
As Flash matured, Macromedia’s focus shifted from marketing it as a graphics and media tool to promoting it as a Web application platform, adding scripting and data access capabilities to the player while attempting to retain its small footprint. In , the first major version of ActionScript was developed, and released with Flash 5. Actionscript 2. The last version of Flash released by Macromedia was Flash 8 , which focused on graphical upgrades such as filters blur, drop shadow, etc.
It introduced the ActionScript 3. Adobe Flex Builder built on Eclipse targeted the enterprise application development market, and was also released the same year. Flash 10 improved animation capabilities within the Flash editor, adding a motion editor panel similar to Adobe After Effects , inverse kinematics bones , basic 3D object animation, object-based animation, and other text and graphics features.
Flash Player 10 included an in-built 3D engine without GPU acceleration that allowed basic object transformations in 3D space position, rotation, scaling. With AIR, developers could access the file system the user’s files and folders , and connected devices such as a joystick, gamepad, and sensors for the first time.
In May , Adobe announced that Adobe AIR was used in over , unique applications and had over 1 billion installations logged worldwide.
Adobe has taken steps to reduce or eliminate Flash licensing costs. For instance, the SWF file format documentation is provided free of charge  after they relaxed the requirement of accepting a non-disclosure agreement to view it in Adobe has not been willing to make complete source code of the Flash Player available for free software development and even though free and open source alternatives such as Shumway and Gnash have been built, they are no longer under active development.
On May 1, , Adobe announced the Open Screen Project , with the intent of providing a consistent application interface across devices such as personal computers, mobile devices , and consumer electronics.
One of Flash’s primary uses on the Internet when it was first released was for building fully immersive, interactive websites. These were typically highly creative site designs that provided more flexibility over what the current HTML standards could provide as well as operate over dial-up connections.
Fully Flash-run sites fell out of favor for more strategic use of Flash plugins for video and other interactive features among standard HTML conventions, corresponding with the availability of HTML features like cascading style-sheets in the mid’s. Fifteen years later, WAP had largely been replaced by full-capability implementations and the HTML5 standard included more support for interactive and video elements.
Support for Flash in these mobile browsers was not included. In , Apple ‘s Steve Jobs famously wrote Thoughts on Flash , an open letter to Adobe criticizing the closed nature of the Flash platform and the inherent security problems with the application to explain why Flash was not supported on iOS.
While Adobe eventually won, allowing for other third-party development environments to get access to the iOS, Apple’s decision to block Flash itself was considered the “death blow” to the Flash application. In , Adobe ended support for Flash on Android. With Flash’s EOL announced, many browsers took steps to gradually restrict Flash content caution users before launching it, eventually blocking all content without an option to play it.
By January , all major browsers were blocking all Flash content unconditionally. Only IE11 , niche browser forks, and some browsers built for China plan to continue support. Furthermore, excluding the China variant of Flash, Flash execution software has a built-in kill switch which prevents it from playing Flash after January 12, Adobe Flash will still be supported in China and worldwide on some specialized enterprise platforms beyond As early as , around the same time that Adobe began encouraging Flash developers to transition their works to HTML5 standards, others began efforts to preserve existing Flash content through emulation of Flash in open standards.
While some Flash applications were utilitarian, several applications had been shown to be experimental art, while others had laid the foundation of the independent video game development. Google had developed the Swiffy application, released in , to convert Flash applications to HTML5-compatible scripts for viewing on mobile devices, but it was shut down in Closer to Flash’s EOL date in , there were more concentrated efforts simply to preserve existing Flash applications, including websites, video games, and animations beyond Flash’s EOL.
Flash source files are in the FLA format and contain graphics and animation, as well as embedded assets such as bitmap images, audio files, and FLV video files. The Flash source file format was a proprietary format and Adobe Animate and Adobe Flash Pro were the only available authoring tools capable of editing such files. Flash source files. Note that FLA files can be edited, but output.
Flash Video files [spec 1] have a. The use of vector graphics combined with program code allows Flash files to be smaller—and thus allows streams to use less bandwidth —than the corresponding bitmaps or video clips. For content in a single format such as just text, video, or audio , other alternatives may provide better performance and consume less CPU power than the corresponding Flash movie, for example, when using transparency or making large screen updates such as photographic or text fades.
In addition to a vector-rendering engine, the Flash Player includes a virtual machine called the ActionScript Virtual Machine AVM for scripting interactivity at run-time, with video, MP3-based audio, and bitmap graphics.
Virtually all browser plugins for video are free of charge and cross-platform, including Adobe’s offering of Flash Video, which was introduced with Flash version 6. Flash Video had been a popular choice for websites due to the large installed user base and programmability of Flash. In , Apple publicly criticized Adobe Flash, including its implementation of video playback for not taking advantage of hardware acceleration, one reason Flash was not to be found on Apple’s mobile devices.
Soon after Apple’s criticism, Adobe demoed and released a beta version of Flash Flash Flash Player supports two distinct modes of video playback, and hardware accelerated video decoding may not be used for older video content. Such content causes excessive CPU usage compared to comparable content played with other players. Flash allows sample rates of 11, 22 and Adobe Flash Player Flash Player Flash programs use ActionScript programming language.
Macromedia made the Flash Files specifications for versions 6 and later available only under a non-disclosure agreement , but they are widely available from various sites. In April , the Flash SWF file format specification was released with details on the then newest version format Flash 8. Although still lacking specific information on the incorporated video compression formats On2, Sorenson Spark, etc.
The file format specification document is offered only to developers who agree to a license agreement that permits them to use the specifications only to develop programs that can export to the Flash file format.
The license does not allow the use of the specifications to create programs that can be used for playback of Flash files. The Flash 9 specification was made available under similar restrictions. Previously, developers could not use the specification for making SWF-compatible players, but only for making SWF-exporting authoring software. The specification still omits information on codecs such as Sorenson Spark , however.
The Adobe Animate authoring program is primarily used to design graphics and animation and publish the same for websites, web applications, and video games. The program also offers limited support for audio and video embedding and ActionScript scripting. Adobe released Adobe LiveMotion , designed to create interactive animation content and export it to a variety of formats, including SWF. LiveMotion failed to gain any notable user base.
In February , Macromedia purchased Presedia, which had developed a Flash authoring tool that automatically converted PowerPoint files into Flash. Macromedia subsequently released the new product as Breeze, which included many new enhancements. Various free and commercial software packages can output animations into the Flash SWF format including:. The Flash 4 Linux project was an initiative to develop an open source Linux application as an alternative to Adobe Animate.
Development plans included authoring capacity for 2D animation, and tweening , as well as outputting SWF file formats. UIRA intended to combine the resources and knowledge of the F4L project and the Qflash project, both of which were Open Source applications that aimed to provide an alternative to the proprietary Adobe Flash.
Adobe provides a series of tools to develop software applications and video games for Flash:. Third-party development tools have been created to assist developers in creating software applications and video games with Flash.
Adobe Flash Player is the multimedia and application player originally developed by Macromedia and acquired by Adobe Systems.
Free Adobe User Guide, Download Instruction Manual and Support
For more information about Edit View, see Editing audio files on page 65; for more information about Multitrack View, see Mixing multitrack sessions. In Multitrack View, double-click an audio clip to open it in Edit View. Alternatively, double-click a file in the Files panel.
Or, select an audio clip in either the Files panel or the Main panel, and then click the Edit File button in the Files panel.
Comparing Edit View and Multitrack View on page 20 Keys for opening views on page Zooming audio Zooming adjusts the view of the timeline display in the Main panel. The ideal zoom level depends on your current task. For example, you can zoom in to see details in an audio file or multitrack session, or you can zoom out to get an overview.
YoucaneitherclickbuttonsintheZoompanel,ordragscrollbars and rulers. Click buttons in Zoom panel B. Drag scroll bars C. Click the Zoom In Horizontally button to zoom in on the center of the visible waveform or session.
Click the Zoom To Selection button to zoom in on the currently selected range. Click the Zoom Out Horizontally button to zoom out from the center of the visible waveform or session. Zoom with a scroll bar or ruler In the Main panel, do any of the following Move the pointer to either edge of a horizontal or vertical scroll bar. When the pointer becomes a magnifying glass with arrows, drag left or right, or up or down. Right-click and drag in the horizontal ruler to zoom into a specific time range.
The magnifying glass icon appears, creating a selection that shows you the range that will fill the Main panel. Edit View only Right-click and drag in the vertical ruler to zoom into a specific amplitude range.
The magnifying glass icon appears, creating a selection of the range that will fill the Main panel. To zoom with the mouse wheel, place the pointer over the appropriate scroll bar or ruler, and roll the wheel. In Edit View, this zoom method also works when the pointer is over the waveform. You can set the percentage of this zoom on the General tab of the Preferences dialog box. See General preferences on page Navigate with a scroll bar or ruler At higher zoom levels, you may need to scroll to see different audio content in the Main panel.
This sets the position of the scroll bar for only the current view Edit View or Multitrack View. Horizontal scroll bar B. Vertical scroll bar Multitrack View only C. Vertical ruler Edit View only D. Horizontal ruler To scroll through time, drag the horizontal scroll bar, or drag left or right in the horizontal ruler.
To scroll through audio amplitudes in Edit View, drag up or down in the vertical ruler. To scroll through tracks in Multitrack View, drag the vertical scroll bar.
To scroll through tracks with the mouse wheel, place the pointer over the track display, and roll the wheel. The panel displays this information in the current time format, such as Decimal or Bars And Beats. See To change the time display format on page Monitoring time during recording and playback on page 54 Dock, group, or float panels on page Although each application has its own set of panels such as Tools, Properties, Timeline, and so on , you move and group panels in the same way across products.
The main window of a program is the application window. Panels are organized in this window in an arrangement called a workspace. The default workspace contains groups of panels as well as panels that stand alone. You customize a workspace by arranging panels in the layout that best suits your working style. You can create and save several custom workspaces for different tasks for example, one for editing and one for previewing. You can drag panels to new locations, move panels into or out of a group, place panels alongside each other, and undock a panel so that it floats in a new window above the application window.
As you rearrange panels, the other panels resize automatically to fit the window. YoucanusefloatingwindowstocreateaworkspacemorelikethoseinpreviousversionsofAdobeapplications,orto place panels on multiple monitors.
B C A Example workspace A. Application window B. Grouped panels C. Individual panel For a video about the Adobe workspace, see Dock, group, or float panels You can dock panels together, move panels into or out of a group, and undock a panel so that it floats in a new window above the application window. As you drag a panel, drop zones areas onto which you can move the panel become highlighted. The drop zone you choose determines where the panel is inserted, and whether it docks or groups with other panels.
Docking a panel places it adjacent to the existing group, resizing all groups to accommodate the new panel. Groupingapanelstacksit with other panels.
A B C Dragging panel A onto grouping zone B to group it with existing panels C Dock or group panels 1 If the panel you want to dock or group is not visible, choose it from the Window menu. Drag group gripper to move entire group The application docks or groups the panel, according to the type of drop zone. Undock a panel in a floating window When you undock a panel in a floating window, you can add panels to the window or otherwise modify it, as you do the application window. You can use floating windows to make use of a secondary monitor, or to create a workspace like those in earlier versions of Adobe applications.
Select the panel you want to undock if it s not visible, choose it from the Window menu , and then do one of the following: Choose Undock Panel or Undock Frame from the panel menu. Undock Frame undocks the panel group. When you release the mouse button, the panel or group appears in a new floating window. Drag the panel or group outside the application window. If the application window is maximized, drag the panel to the Windows task bar. Resize panel groups When you position the pointer over dividers between panel groups, resize icons appear.
When you drag these icons, all groups that share the divider are resized. For example, suppose your workspace contains three panel groups stacked vertically. If you drag the divider between the bottom two groups, they are resized, but the topmost group doesn t change. Do not press Shift. Press the tilde key again to return the panel to its original size. The pointer becomes a double-arrow. To resize in both directions at once, position the pointer at the intersection between three or more panel groups.
The pointer becomes a four-way arrow. A B Dragging divider between panel groups to resize them horizontally A. Original group with resize icon B. Resized groups Open and close panels and windows Even if a panel is open, it may be out of sight, beneath other panels.
Choosing a panel from the Window menu opens it and brings it to the front. Whenyoucloseapanelgroupintheapplicationwindow,theothergroupsresizetomakeuseofthenewlyavailable space. When you close a floating window, the panels within it close, too. To open or close a panel, choose the panel from the Window menu. To close a panel or window, click its Close button. Working with multiple monitors To increase the available screen space, use multiple monitors. When you work with multiple monitors, the application window appears on the main monitor, and you place floating windows on the second monitor.
Monitor configurations are stored in the workspace. Dock, group, or float panels on page Some tools are unique to each view. Likewise, some Edit View tools are available only in spectral displays. However,youcanundockthetoolbar,converting it to the Tools panel, which you can manipulate like any other panel. A check mark by the Tools command indicates that it is shown. To undock the toolbar from its default location, drag the handle at the left edge to another location in the work area.
To redock the Tools panel in its default location, drag the Tools panel tab to the drop zone that spans the entire width of the Adobe Audition window, just under the menu bar.
A B Available toolbar buttons differ in each view. Multitrack View toolbar Dock, group, or float panels on page 23 Basic components of Edit, Multitrack, and CD View on page 19 Display the shortcut bar Theshortcutbardisplaysbuttonsthatprovidequickaccesstocommonlyusedfunctions. Theshortcutbarappears in the upper part of the application window, below the menu bar and the default location of the toolbar. To identify a button, place the pointer over the button until a tool tip appears.
You can show or hide the status bar and select which types of information appear there. Adobe Audition Workshop Instructor: Sam Fuqua Class Objectives Learn the interface for Adobe s audio enhancement software Learn how to do basic recordings, both single and multi-track Learn how to repair.
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Learn effective workflow and file management strategies. To view a copy of this. The main imovie window is divided into six major parts. Project Drag clips to the project area to create a timeline 2. Preview Window Displays a preview of your video 3. Toolbar Contains a variety of. You can download. Microsoft Publisher What s New! A new. To expand. PART 1. Inside, you ll find quick examples of how to record, compose, mix, and. Adobe Acrobat SDK 9. Movie Maker 2 Beginning Quick Overview Workspace tour Welcome to CorelDRAW, a comprehensive vector-based drawing and graphic-design program for the graphics professional.
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Individual panel. For a video about the Adobe workspace, see www. You can dock panels together, move panels into or out of a group, and undock a panel so that it floats in a new window above the application window. As you drag a panel, drop zones —areas onto which you can move the panel— become highlighted.
The drop zone you choose determines where the panel is inserted, and whether it docks or groups with other panels. Docking zones exist along the edges of a panel, group, or window. Docking a panel places it adjacent to the existing group, resizing all groups to accommodate the new panel. Grouping zones exist in the middle of a panel or group, and along the tab area of panels.
Grouping a panel stacks it with other panels. When you undock a panel in a floating window, you can add panels to the window or otherwise modify it, as you do the application window. You can use floating windows to make use of a secondary monitor, or to create a workspace like those in earlier versions of Adobe applications.
Undock Frame undocks the panel group. When you release the mouse button, the panel or group appears in a new floating window. If the application window is maximized, drag the panel to the Windows task bar. When you position the pointer over dividers between panel groups, resize icons appear. When you drag these icons, all groups that share the divider are resized. For example, suppose your workspace contains three panel groups stacked vertically. Do not press Shift. Press the tilde key again to return the panel to its original size.
The pointer becomes a double-arrow. The pointer becomes a four-way arrow. Original group with resize icon B. Resized groups. Even if a panel is open, it may be out of sight, beneath other panels. Choosing a panel from the Window menu opens it and brings it to the front. When you close a panel group in the application window, the other groups resize to make use of the newly available space.
When you close a floating window, the panels within it close, too. To increase the available screen space, use multiple monitors. When you work with multiple monitors, the application window appears on the main monitor, and you place floating windows on the second monitor.
Monitor configurations are stored in the workspace. The toolbar provides quick access to tools, the Workspace menu, and buttons that toggle between Edit, Multitrack, and CD View. Some tools are unique to each view. Likewise, some Edit View tools are available only in spectral displays. By default, the toolbar is docked immediately below the menu bar. However, you can undock the toolbar, converting it to the Tools panel, which you can manipulate like any other panel.
A check mark by the Tools command indicates that it is shown. Multitrack View toolbar. The shortcut bar displays buttons that provide quick access to commonly used functions. The shortcut bar appears in the upper part of the application window, below the menu bar and the default location of the toolbar. To identify a button, place the pointer over the button until a tool tip appears. The status bar runs across the bottom of the Adobe Audition work area. You can show or hide the status bar and select which types of information appear there.
Data Under Cursor B. Sample Format C. File Size D. File Size Time E. Free Space F. Free Space Time G. Keyboard Modifiers H. Display Mode. A check mark indicates that the status bar is visible. Data Under Cursor Shows information such as channel for stereo files , amplitude measured in decibels , and time hours:minutes:seconds:hundredths of seconds from the beginning of the audio file. This data changes dynamically when you move the pointer.
For example, if you see R: — Sample Format Displays sample information about the currently opened waveform Edit View or session file Multitrack View. For example, a 44, kHz bit stereo file is displayed as — bit — stereo.
File Size Represents how large the active audio file is, measured in kilobytes. If you see K in the status bar, then the current waveform or session is kilobytes KB in size. File Size time Shows you the length measured in time of the current waveform or session. For example, means the waveform or session is 1. CD or 80 min. Free Space time In Edit View and Multitrack View, displays the time remaining for recording, based upon the currently selected sample rate. This value is shown as minutes, seconds, and thousandths of seconds.
For example, if Adobe Audition is set to record 8-bit mono audio at 11, kHz, the time remaining might read Change the recording options to bit stereo at 44, kHz, and the time remaining becomes For example, To return to the original setting, click Reset UI.
Each Adobe video and audio application includes several predefined workspaces that optimize the layout of panels for specific tasks. These workspaces optimize the arrangement of panels for specific tasks. You can customize any predefined workspace. Maximum Session Dual Monitor Arranges the Multitrack View work area for a two-monitor setup, displaying the Main panel and application window on one monitor and other panels on the second monitor, providing maximum view of the Main panel display.
Maximum Waveform Editing Dual Monitor Arranges the Edit View work area for a two-monitor setup, displaying the Main panel and application window on one monitor and other panels on the second monitor, providing maximum view of the Main panel display. As you customize a workspace, the application tracks your changes, storing the most recent layout. To store a specific layout more permanently, save a custom workspace.
Saved custom workspaces appear in the Workspace menu, where you can return to and reset them. Type a name for the workspace, and click OK. Note: If a project saved with a custom workspace is opened on another system, the application looks for a workspace with a matching name. Note: You cannot delete the currently active workspace. You can use a wide range of hardware inputs and outputs with Adobe Audition.
Sound card inputs let you bring in audio from sources such as microphones, tape decks, and digital effects units. Sound card outputs let you monitor audio through sources such as speakers and headphones. Sound card inputs connect to sources such as microphones and tape decks.
Sound card outputs connect to speakers and headphones. Some cards support both types of drivers. ASIO drivers are preferable because they provide better performance and lower latency. You can also monitor audio as you record it and instantly hear volume, pan, and effects changes during playback.
The main advantage of DirectSound is that you can access one card from multiple applications simultaneously. In a multitrack session, you can override the defaults for a particular track. The options available will be different than those described below. For more information, consult the documentation for the sound card. When a port is deselected, it is not available as a port option in the Audio Hardware Setup dialog box.
If you hear skips or dropouts in playback, you can adjust buffer size: Double-click the Buffer Size numerical entry for an input or output device, and type a new value. Port Order If the selected device includes more than one port, click the Move Up or Move Down button to change the order of the ports for that device. Full Duplex Select this to enable Adobe Audition to record an audio track while another one plays back, if the sound card is capable of doing so. Start Input First This determines the order in which Adobe Audition starts the sound card playback in and record out ports in a multitrack environment.
Musical Instrument Digital Interface MIDI is a standard for communicating performance information from one piece of software or hardware to another. To close the Preferences dialog box without changing any options, click Cancel. When you click OK, most changes take effect immediately. If a change requires you to quit and restart Adobe Audition, you are prompted to do so. For example, you need to quit and restart Adobe Audition when you set up a different temporary folder.
In the Preferences dialog box, click the General tab to access the following options:. Force Spacebar To Always Trigger Play Plays a file when the spacebar is pressed, regardless of which dockable window has focus. Auto-scrolling takes effect only when you zoom in on a portion of a waveform and play past the viewed portion. To extend a selection, Shift-left-click. To see the pop-up menu, Ctrl-right-click.
Mouse Wheel Zoom Factor Determines zoom behavior when you turn the mouse wheel on Intellipoint-compatible pointing devices. Edit View Selections Determines the amount of waveform data that is automatically selected if nothing is already highlighted when you apply an effect. Double-clicking always selects the current view. Triple-clicking always selects the entire waveform.
Automatically selects the inserted audio after a paste operation. Deselect this option to of the inserted audio instead. Deselect this option to quickly append multiple segments of pasted audio. To enable the non-default curve, hold down Ctrl when dragging on-clip fade icons in the Main panel.
In the Preferences dialog box, click the System tab to configure how Adobe Audition interacts with your system:. Cache Size Determines the amount of memory that Adobe Audition reserves for processing data. Recommended cache sizes range from 8 to 32 MB 32 MB is the default. Because undo requires extra disk space for temporary files and extra processing time, you may want to turn this feature off. Lower this number to free up more memory but lose more actions.
Temporary Folders Lets you change the location of folders for temporary files, which Adobe Audition creates when you edit audio. All temporary files begin with AUD and have a. Adobe Audition normally deletes temporary files when it exits. For the options below, click the Browse button to navigate to a new folder location. Ideally, it should be on your fastest hard drive. For best results, specify a different physical hard drive than the primary temp folder. Auto-Save For Recovery Backs up files more frequently than needed for basic crash recovery.
In Adobe Audition, basic crash recovery is on at all times. This option expands that feature, saving backups more frequently. Because this preference can affect performance, select it only if you experience frequent power failures or system crashes. In general, leave this option selected. Usually, after you finish with an Adobe Audition session, these clipboard files are no longer needed and just take up space.
Force Complete Flush Before Saving Disables the quick save feature, which lets Adobe Audition quickly save files that contain only minor modifications. If you select this option, Adobe Audition saves an internal backup copy of entire files, considerably increasing the save time for large files. Select this option only if you have trouble saving back to the same filename or you have a problem with the Adobe Audition quick save feature.
To delete invalid characters without replacing them, leave this box blank. Specify a different option only if you commonly open WAV files in a more unusual format. If you typically open files in one format, this option helps you narrow the displayed list of files.
You can override the default format in the Open dialog box. If you typically save files in one format, this option makes the saving process more efficient.
You can override the default format in the Save As dialog box. In the Preferences dialog box, click the Colors tab to change the Adobe Audition color scheme:. Waveform Lists all elements to which you can assign custom colors. To change the color of an element, select it from the list and click the Change Color button below the Example display.
To choose one, select it from the pop-up menu. Save As Saves the currently selected color scheme as a preset. Delete Deletes the currently selected color scheme preset. Example Displays the currently selected color scheme preset or customized color scheme. Change Color Opens the Color Picker, in which you can select a new color for the element selected under Waveform. The current color is shown in the color swatch to the left of the Change Color button.
Selection Lets you adjust the appearance of a selected range. Preview your changes in the Example area. Deselect this option if you want to set transparency for selected ranges instead of reversing the colors. This option is not available when Invert is selected. UI Brightness Drag the slider, click the arrows at either end of the brightness scale, or type in a percentage to change the overall brightness of the work area. Tint Colors all panels and dialog boxes with a tint you specify.
In the Preferences dialog box, click the Display tab to adjust the Spectral and Waveform Display modes:. Windowing Function Determines which method Adobe Audition uses to segment the spectral data before displaying it. Blackmann or Blackmann-Harris are usually good choices.
Resolution Specifies the number of vertical bands used in drawing frequencies. The larger this number, the longer it takes for Adobe Audition to render the spectral display. Performance varies according to the speed of your computer.
This makes the display more accurate along the timeline left and right , but less accurate along the frequency scale up and down. Marker and range entries listed in the Marker List appear in the waveform as vertical dotted lines overlaying the audio, connecting the arrows from the top to the bottom of the display. Show Grid Lines Displays grid lines in the waveform display. The grid lines mark off time on the horizontal x-axis and amplitude on the vertical y-axis.
However, all three views have similar basic components, such as view buttons, the Main panel, and the status bar. Page 25 For example, you can zoom in to see details in an audio file or multitrack session, or you can zoom out to get an overview. Adobe Audition provides several ways to zoom.
You can either click buttons in the Zoom panel, or drag scroll bars and rulers. Click buttons in Zoom panel B. Drag scroll bars C. This sets the position of the scroll bar for only the current view Edit View or Multitrack View. Page Customizing Workspaces As you rearrange panels, the other panels resize automatically to fit the window. You can use floating windows to create a workspace more like those in previous versions of Adobe applications, or to place panels on multiple monitors.
Docking a panel places it adjacent to the existing group, resizing all groups to accommodate the new panel. Dragging panel A onto docking zone B to dock it C Grouping zones Grouping zones exist in the middle of a panel or group, and along the tab area of panels.
Page 30 When you undock a panel in a floating window, you can add panels to the window or otherwise modify it, as you do the application window. You can use floating windows to make use of a secondary monitor, or to create a workspace like those in earlier versions of Adobe applications. Do not press Shift. Press the tilde key again to return the panel to its original size. You can show or hide the status bar and select which types of information appear there. Page 33 This value is shown as minutes, seconds, and thousandths of seconds.
For example, if Adobe Audition is set to record 8-bit mono audio at 11, kHz, the time remaining might read Change the recording options to bit stereo at 44, kHz, and the time remaining becomes Page Managing Workspaces Managing workspaces Choose a workspace Each Adobe video and audio application includes several predefined workspaces that optimize the layout of panels for specific tasks. To store a specific layout more permanently, save a custom workspace.
Saved custom workspaces appear in the Workspace menu, where you can return to and reset them. Sound card inputs let you bring in audio from sources such as microphones, tape decks, and digital effects units.
Sound card outputs let you monitor audio through sources such as speakers and headphones. Page 37 For more information, consult the documentation for the sound card. If a change requires you to quit and restart Adobe Audition, you are prompted to do so. For example, you need to quit and restart Adobe Audition when you set up a different temporary folder. Page System Preferences System preferences In the Preferences dialog box, click the System tab to configure how Adobe Audition interacts with your system: Determines the amount of memory that Adobe Audition reserves for processing data.
Usually, after you finish with an Adobe Audition session, these clipboard files are no longer needed and just take up space. Page Display Preferences Specifies the number of vertical bands used in drawing frequencies.
The larger this number, the longer Resolution it takes for Adobe Audition to render the spectral display. Performance varies according to the speed of your computer. Page Data Preferences Data preferences In the Preferences dialog box, click the Data tab to control how Adobe Audition handles audio data: Converts all 8-bit and bit data to bit when a file is opened. When selected, Adobe Audition leaves the effect applied to all data processed up until the point you clicked Cancel.
When deselected, Adobe Audition automatically removes the effect on already processed data when you click Cancel. Page 44 Enables smooth scrolling when playing back audio in Multitrack View. This saves on system resources. These devices let you edit audio tracks using real knobs and automated faders, instead of your mouse and computer keyboard. Page Managing Temporary Files Managing temporary files About temporary files When you edit a file, Adobe Audition copies the audio data into a temporary file for internal use.
This process allows for quicker editing, better handling of large files, and the ability to undo changes. This option is useful only if the dialog box automatically appeared because you ran out of storage space. If Adobe Audition crashes, there may be a temp file audxxxx. The bit level is best while you work Resolution in Adobe Audition. You can convert down for output later, if necessary.
Page 49 Shift-click the last. To select multiple, nonadjacent files, Ctrl-click them. Note: If the selected audio files have a different sample rate, resolution, or channel type than the open audio file, Adobe Audition converts the selected files to match the open file. For the best results, append files with the same sample type as the original audio file.
Page 50 High resolution is recommended if the bitmap image is an exported spectral graph that you modified in an image-editing application such as Adobe Photoshop.
Returns all settings to the defaults, which are best for importing to a new file. If you attempt to import files with different sample rates, Adobe Audition prompts you to resample them, which may lower audio quality.
Optional Select Use Default Session to use that session as a template. Page 52 Set or clear a default session After you set a default session, it opens whenever you start Adobe Audition. This default can also serve as a template for new sessions, letting you share settings, such as track inputs and volume levels, across multiple sessions. Adobe Audition inserts an audio clip at the designated start time. Click the Broadcast Wave tab. Digital extraction also known as ripping is the recommended method because it produces higher-quality audio than internal recording.
Enter your e-mail address. Page 57 The Max Maximum Speed option usually produces satisfactory results, but if it produces errors, specify a slower speed. Specifies how much data Adobe Audition calls into the CD Extraction module to fetch, therefore deter- Buffer Size mining how much data is pulled from the CD in each call to the read command.
The default is 16 KB, but you can experiment with other sizes which range all the way to the highest buffer size the CD-ROM drive supports. Start playing the loudest part of the CD. You set the start-time indicator to start playback or recording at a specific point in a waveform. Click the Pause button again to resume playback or recording.
Pause Places the playback cursor at the beginning of the next marker. If there are Go To Beginning Or Previous Marker no markers, the playback cursor moves to the beginning of the waveform or session. Enter the starting time and date in the appropriate text boxes, and set the desired time and date options. Page 62 Prior to recording in a session, you must save it so that Adobe Audition can store recorded clips in the session folder.
Page 63 Loop while recording in Multitrack View If you loop while recording, Adobe Audition saves a new clip for each take. This feature is ideal for difficult musical passages.
Simply loop while recording until the performer produces the perfect take. Or combine the best parts of each take to create a new clip.
Page 64 For particularly important or difficult sections, you can punch in multiple takes, and then select or edit takes to create the best performance. Adobe Audition saves two seconds of audio on either side of a punch-in range, so you can seamlessly edit and crossfade takes. Note: You can’t punch into a loop-enabled clip. Page Playing Audio Note: By default, the Main panel scrolls in sync with playback that extends beyond the visible section of a waveform.
In the General tab of the Preferences dialog box, you can customize auto-scrolling options or disable this feature. Click OK. Yellow peak indicators remain for 1. Page 69 You may need to adjust levels if recordings are too quiet causing unwanted noise , too loud leading to clipped, distorted sound , or inaudible when played in Adobe Audition.
To get the best sounding results, you should record audio as loud as possible without clipping. Try to keep the loudest peak somewhere between —2 dB and 0 dB when setting recording levels. Each shows you a different visual representation of sound waves. If you open a stereo file, the left channel appears at the top and the right channel appears at the bottom.
If you open a mono file, its single channel fills the total height of the Main panel. For example, if you see a lot of inverse phase information in the Phase Analysis panel, you can use Spectral Phase Display to find out exactly where in time the out-of-phase audio is occurring.
To delete a color point, right-click it and choose Delete Color Point. Page 76 At the top of the Main panel, time displays show how much audio is visible for the top and tail. By default, Adobe Audition displays 10 seconds in both views. Page 78 By default, Adobe Audition plays all audio in the same time range as a spectral selection. To hear only the selection, right-click the standard or circled Play button, and select Play Spectral Selection. Specify which channel you want to edit By default, Adobe Audition applies selections and edits to both channels of a stereo waveform.
However, you can easily select and edit just the left or right channel of a stereo waveform. Page 80 Though you can often identify beats by looking for peaks in a waveform, the Find Beats command makes the task much quicker. After you find beats with this command, Adobe Audition saves them as Beat Markers, making it easy to locate beats again.
Page Copying, Cutting, Pasting, And Deleting Audio Copying, cutting, pasting, and deleting audio Choose a clipboard Adobe Audition gives you access to five internal clipboards for temporary data storage. Each works similarly to the Windows clipboard, except that they can handle more data at a faster rate.
Page 82 The Mix Paste command lets you mix audio data from the clipboard or a file with the current waveform. Page Visually Fading And Changing Amplitude Delete or trim audio data Adobe Audition provides two methods for deleting audio: The Delete Selection command lets you remove a range from a waveform, whereas the Trim command lets you remove unwanted audio from both sides of the selected audio. If this fade sounds too abrupt, however, try one of the other options.
A point refers to a specific time position within a waveform for instance, A range has both a start time and an end time for example, all of the waveform from Page 86 Marker types Adobe Audition provides five marker types.
All five can be ranges as well as points. You can change marker types by clicking Edit Marker Info in the Markers panel and choosing a marker type from the Type menu. Alternatively, right-click the marker handle, and choose a marker type from the context menu.
In the For More Than text box, enter the duration in milliseconds of this maximum amplitude value. Page 90 Enter a longer duration to ignore short periods of undesired audio like clicks, static, or other noise.
However, if the value is too high above milliseconds , short words may be skipped. Scans the waveform or a selected range to have Adobe Audition automatically determine a good Find Levels starting point for signal levels. Higher values can lead to an artificial sounding pause. Previews the silence to be removed. This option reports how much silence will be removed Scan For Silence Now and how many sections of silence were found.
Page Generating Audio Specifies the length that is assigned to the pause character when it is used in the Dial String text box. Click the first track. Right-click and select Insert-Audio; select the file you want to process. After loading it may take a few seconds double click on the sound. This will take you from the multitrack view to the edit view.
Select a part you want to remove. Press Del. Repeat this for all parts you want to remove. To save your work, use File – Save As. Apply special effects If you just want to apply a special effect like increasing the volume of a sound file or apply any other effect on a sound file : Start Adobe Audition; you will then have an empty session. If you want to apply the effect only on a part of the file, select that part with the mouse, just as you would select text in a word processor. On the left side of the screen, there is a treeview; click on the Effects tab.
Then double click on the effect you want to apply. A window will then appear. To save your work, use File-Save As. Normalising sounds. Normalization is an editing function that adjusts the highest peak amplitude of a waveform to a certain percentage, thereby raising or lowering all other peaks accordingly.
This technique is most useful when you author a CD or master a collection of songs and each of the intended CD tracks vary in overall peak amplitude. You will also want a file that you can play in any standard music player. To obtain this, select the tracks you want to hear in the output file or select none to use all of them and then click on the File – Export – Audio menu item.
You will be prompted with a dialog that asks you to select the destination filename and file type. If you want to save just one track, go to File – Save As; the format you will want to save in is most likely MP3.
If saving in MP3 format, quality settings can be changed by clicking the Options button. Note: MP3 file format is a compressed format, it does not save the sound exactly. If you need higher quality of sound, use WAV format. However, the WAV format will occupy much more disk space.